How TV Exec Simmy Kustanowitz Turned Impractical Experience into Creative Problem Solving

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Simmy Kustanowitz spent the bulk of his career working in television production. From the moment he took a job as an intern for “The Daily Show,” he fell in love with the industry. After college, he climbed the ranks. His first job as an NBC page gave way to a gig as a production assistant for MTV, where he worked on a variety of shows. That’s where he was given his first opportunity to produce TV shows.

With all that experience under his belt, Simmy eventually landed a role as an executive at the newly formed TruTV Network. That’s where things really came together. Not long after he joined TruTV, Simmy became the network executive (or, the network suit) in charge of the rising comedy juggernaut “Impractical Jokers.”

He oversaw that production for several years before leaving the network and jumping to the other side of the equation, working directly for the Jokers’ production company. It didn’t take long for Simmy to become the popular show’s showrunner, the person who had overall creative authority and management responsibility for the show.

In spite of all that success, Simmy felt the need to find a lifeboat. As much fun as TV production was, there were signs that it might not be his long-term career path. He started searching for a career path that would make sense. As he shares in this inspiring episode, the result soon became Clock Tower Innovation, Simmy’s creative consultancy for companies that don’t have time for bloated processes or mediocre execution.

In this episode, Simmy shares details of his path that culminated in his running one of the most successful comedy shows ever to air on TV, how he made the difficult decision to leave TV behind, and what inspired him to draw on all his production experience to launch one of the most unique creative consultancies in the world.

To learn more about Simmy, you can find him on Substack (https://substack.com/@simmykustanowitz), YouTube (https://www.youtube.com/channel/UC5cTuZAeTy_xkQ18iPrGgSg) or Instagram (https://www.instagram.com/clocktowerinnovation/)

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Second Act Stories theme music: “Between 1 and 3 am” by Echoes.

Lights, Camera, Education: C. Scott Votaw Shifts from Making Movies to Molding Minds

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C. Scott Votaw is the Assistant Vice Chancellor of the University System of Georgia, where he is responsible for overseeing the Georgia Film Academy.

After growing up in Georgia and graduating from college, Scott packed his car and headed west without a plan. With no relevant experience in film and production, he eventually networked his way onto a crew as a runner. Just by being present and paying attention, he found a way to save the production money and was rewarded with an almost immediate promotion to second assistant director.

That auspicious start launched him into what would become an incredibly successful 25-year career in the film and production industry. His big break, a job working for Saban Entertainment on its new and wildly popular Power Rangers television show, set him on a course to work with Hollywood legends including George Lucas and Star Wars sound designer Ben Burtt.

Then came his moment of reckoning. After building a career that was largely unplanned, Scott returned home to Georgia to care for a relative and try something new. He eventually networked his way into opportunities in education, but the timing was serendipitous as Georgia was in the process of building the infrastructure to support the growing film industry in the state. Thanks to Scott’s experience in both education and production, and his availability and willingness to take on something new, he found himself in a position to help launch and run the Georgia Film Academy.

In this episode, Scott shares his unplanned journey through the film industry, his tough decision to leave it behind and move back home to Georgia, and the incredible timing that set him on a course to transition from an industry insider to an educator at the highest level.

Second Act Stories theme music: “Between 1 and 3 am” by Echoes